373 Films. Three weeks and three days. Seven main venues. Shorts. Features. Documentaries. And Edward Norton.
The 36th Annual Seattle International Film Festival (SIFF) starts a week from last night and ends on June 13th. I will be there, volunteering. I will be there, watching. I will be there, at my first film festival, soaking everything in.
The more I look at the movie guide, the more movies I want to see. Much depends on how long my census job lasts, since its hours interfere with times I can volunteer and times I can watch movies. Even so, I am planning on watching a lot of movies. Movies like City of Life and Death, I Am Love, Winter’s Bone, Leaves of Grass (followed by a Q&A session), Ondine, and Last Train Home. In addition, I may catch 25th Hour, part of SIFF’s tribute to Edward Norton, and Animation for Adults, a collection of short animated films.
And then there are silent films with live orchestral accompaniment, a focus on New Spanish Cinema, galas, parties, a New Directors Showcase, the works of three emerging masters (Mohamed Al-Daradji from Iraq, Ana Kokkinos from Australia, and Valery Todorovsky from Russia), films for families, and alternate cinema (RoboGeisha is worth a look for the title alone).
Now, since I am simultaneously teaching, enumerating, volunteering, and SIFF-attending, my blogs will probably follow the format of the Far-Flung Correspondents who blogged about Ebertfest: they will cram several movies into each post, and they will be late.
My solution? To be revealed in an upcoming post. Until then, click here for the entire SIFF lineup, and try not to salivate too much.